Aura (Lena Dunham) returns to
New York City after graduating from university and breaking up with her
boyfriend. While she readjusts to living at home, she realizes that her mother
(Simmons) and sister (Grace Dunham) have moved on without her and seeks refuge
with her childhood best friend, Charlotte (Kirke). Rediscovering New York’s
charm, she meets an odd youtuber, Jed (Karpovsky), who makes her look at life
differently and forgets her university friendships.
“I just got off a plane from Ohio, I’m in a post-graduate delirium.”
The flick stays true to its theme of growing
pains and rejection from the real world. After Aura finishes her four years,
she contemplates whether she actually liked her program and if she will go
anywhere in life. Being overshadowed by her successful mother and intelligent
sister, Aura’s cry for help is seen in the questionable friendships and
decisions she makes throughout “Tiny Furniture”.
After her feature, Dunham began writing her hit
HBO television show portraying the semi-stable post-graduate state after four
girls find jobs that relatively relate to their potential careers. The main
character, Hannah Horvath (Dunham), is a struggling writer that goes from
potential e-book author to advertising writer as she makes poor life decisions
along the way. With her dysfunctional best friends, Marnie Michaels (Allison
Williams), Jessa Johansson (Kirke), and Shoshanna Shapiro (Zosia Mamet), Hannah
appears as an older version of Aura with some grip on her life goals.
The similar premises and characters showcase
Dunham’s writing, directing, and production skills for both her films and
series. Being one of the few female showrunners in the industry, she has made a
name for herself by writing what she knows and capturing it well on screen.
Both stories resonate with audiences by displaying the “in between” period in a
person’s life. Using the transition between university to work life as the main
power struggle, Dunham addresses topics of relationships, dependency issues,
and friendships in both pieces.
“Sometimes I just wish someone would tell me
like, ‘This is how the rest of your life should look’.”
Appearing as a chapter before “Girls”, “Tiny
Furniture” shows the confusing post-graduate period when failing to find
positions in your field of study and discovering your place in the world. The
unsuccessful state of confusion causes Aura to make weary decisions before discovering
how she can move forward from her awkward change from student to employee.
“Girls” continues the story by showing life after Hannah becomes independent
but is still determining what she will do with her life by making mistakes with
her friends during their journey to adulthood. With her exceptional talents
displayed on both screens, Lena Dunham has created and will continue to create
corky, coming of age tales that fit in her filmography all too well. It may not
be a Wednesday night, but she is alive!
Check out the original article on WeEatFilms.com
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